At Break of Day

illus­trat­ed by Paul Morin
Eerd­mans, 1999
ISBN: 978–0‑8028–5104‑8

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At Break of Day

from the book:

Once upon a time there was no time.
There was no earth, or sky, or sea.
There was only dark­ness and the waters of the deep
and a father and son who watched over them.
The son, know­ing exact­ly what was in his father’s
heart, asked, “Now, Father?” And the father said,
“Yes, Son. Now.” Then the son leaned
over the dark­ness and soft­ly blew over the waters…
And that’s how the uni­verse began.

from At Break of Day
© 1999 by Nik­ki Grimes

Awards and Recognition

  • Coop­er­a­tive Chil­dren’s Book Cen­ter Choic­es
  • CBC Not Just for Chil­dren Any­more List

Resources

Awards and Recognition

  “Through beau­ti­ful, lucid free verse, Nik­ki Grimes explores some of the ambigu­ous, enig­mat­ic events and cir­cum­stances lead­ing up to the cen­tral theme behind the annu­al East­er obser­vance. Twen­ty-two poems intro­duced by a brief explana­to­ry para­graph por­tray the sto­ry through the imag­ined eyes of the prin­ci­pals involved. Details of the Last Sup­per, Pilate’s wife’s role, the reli­gious coun­cil tri­bunal, Mary’s grief, the dark­en­ing of the sky at the time of the cru­ci­fix­ion and the site of the ascen­sion are all includ­ed. Ques­tions raised in each piece encour­age dis­cus­sion of mul­ti­ple inter­pre­ta­tions, as in the poem titled “What’s in a Name?,” which refers to Judas’s role as one of betray­er and the sub­se­quent altered impli­ca­tion to his name. Poet­ry is gen­tle yet thought­ful, allud­ing to the bru­tal­i­ty of the exe­cu­tion while pro­vid­ing an almost prayer-like per­son­al reflec­tion. Mul­ti-col­ored wood­cuts sug­gest the emo­tion and mood of each scene in a par­o­dy of stained glass. A hand­some, well-designed offer­ing for mid­dle read­ers and fam­i­lies.” (Kirkus Reviews, starred review)

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